"Doomjazz/Giganticus concludes with music written by or in honor of Domenico Scarlatti, Sonny Rollins and Black Sabbath. Stewart plays walking lines so fast they turn "K54" (inspired by Scarlatti's "Sonata K54") into a tumbling run timed by Archibald's whipcrack snare and closed in a lovely coda. "Saxophone Giganticus" repeats its blues stomp over and over until its sound seems to grow monstrously big and deep, like Pink Floyd nursing an electric blues grudge. They close with Sneddon abstractly sketching the leadoff and ultimate track from Black Sabbath's eponymous 1970 debut (Warner Bros.).
(...)
Jazz is sometimes criticized by fans of other musical styles for being too intellectual and not as visceral as blues or rock can be. Free Nelson Mandoomjazz shatters that criticism to pieces with rhythms that rip from deep and powerful places, and land so hard in your ears that you feel their punch in your guts."
(All About Jazz - https://www.allaboutjazz.com/the-shape-of-doomjazz-to-come-saxophone-giganticus-free-nelson-mandoomjazz-rarenoiserecords-review-by-chris-m-slawecki.php)
(...)
Jazz is sometimes criticized by fans of other musical styles for being too intellectual and not as visceral as blues or rock can be. Free Nelson Mandoomjazz shatters that criticism to pieces with rhythms that rip from deep and powerful places, and land so hard in your ears that you feel their punch in your guts."
(All About Jazz - https://www.allaboutjazz.com/the-shape-of-doomjazz-to-come-saxophone-giganticus-free-nelson-mandoomjazz-rarenoiserecords-review-by-chris-m-slawecki.php)
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